Who is liz phair dating Free xxx chat without sign
As times and stereotypes have changed, its significance in culture has continued to carry weight over the past 20 years.
Phair released three albums in the ’90s that made her stand out as an emerging female voice in the lo-fi, alt-rock scene, but it was really 1993’s Pazz & Jop rated it as the number one album of the year — and to this day, the record consistently makes it onto “Best Of” lists.
A move into the pop world was first noticeable on her 1998 album, — a direction that would confound critics and fans alike.
Five years later, Phair would release her first pop-flavored record after working with the Matrix, the songwriting team with whom Avril Lavigne worked on her 2002 debut, .
That record's attempts to radio-ize her sound only dismantled the depth of her music-- if not the awkwardness-- resulting in an odd batch of songs that perhaps encapsulated Phair's faulty view of what constitutes a radio-friendly album. But, unlike the complex, alternatingly cocky and self-effacing sexuality of "Flower," "H. C."'s unqualified sperm-praise is entirely vain and degrading. C." is without question the best water-cooler conversation piece on , "Rock Me" makes for a close second.
Ten years on from , Liz has finally managed to achieve what seems to have been her goal ever since the possibility of commercial success first presented itself to her: to release an album that could have just as easily been made by anybody else. C." ("Hot White Cum"), in which Phair extols the virtue of semen as a beauty aid ("... Even more degrading is the constipated donkeyfuck harmonica solo towards the track's end, a hilarious sideshow that only magnifies the triteness of the song's glycerin-slick production. Here, Phair sings exuberantly about the benefits of an affair with a younger guy including-- I shit you not-- "[playing] Xbox on [his] floor." In between choruses of, "Baby baby baby if it's alright/ Want you to rock me all night," Phair declares, "I'm starting to think that young guys rule! It's hard to imagine that the Liz Phair of ten years ago wouldn't have had something profound and devastating to say about older women who shack up with clueless college kids, but on "Rock Me"-- as on the rest of -- vapid, cliché-filled rhyme couplets dominate.
The lyric, "We haven't fucked yet/ But my head's still spinning," seemingly seeks to set Phair apart from the teen-pop crowd, but the use of the word is completely gratuitous-- change it to "kissed" and stick a 16-year-old girl in front of the mic and no one could tell the difference.
Her music’s popularity alongside like-minded musicians like Fiona Apple and Aimee Mann is something that landed her at Lilith Fair during its run.
Her raw songwriting about one-night stands and coming of age has made her one of the strongest alt-rock musicians of the ‘90s.
The original 1991 cassettes have been restored and released as Yo Yo Buddy Yup Yup Word to Ya Mutha, Girls! May 31: Masonic Lodge, Los Angeles June 1: Swedish American Hall, San Francisco June 2: The Crocodile, Seattle June 4: Turf Club, St. June 7: Northside Festival, Brooklyn June 8: Wichita Riverfest, Wichita, Kan.
, Phair's gruff voice wrapped awkward non-hooks around flimsy, transparent chord progressions, resulting in (to everyone's surprise) a certifiable indie roadtrip classic.
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In recent interviews, Phair has been upfront about her hopes of mainstream success, and claims full awareness that is likely to alienate many of her original fans.